Okay, today is another Type Tuesday, and I thought I'd post about one of
the greatest graphic designers of the 20th century. That designer is
Tibor Kalman. Kalman, who would have been 64 years old on July 6th, died
in 1999 of non-Hodgkin's lymphoma. In 1993 he was voted as one of the
15 Masters of Design by readers of How magazine, and in 1999 was awarded
the American Institute of Graphic Artist (AIGA) MEDAL. This is a
designer who had an influence on me in high school before I even knew
who he was. You see Tibor Kalman, directed, designed, and produced the
video "(Nothing But) Flowers" for the Talking Heads, which was one of my
favorite bands. He also designed a few of their covers. But
embarrassingly, I rarely read liner notes back in those days.
He
was the founder of the revolutionary New York design firm, M&Co.
His innovative ideas about art and society challenged the way designers
and their clients saw the world. Kalman saw himself as a social
activist, and believed graphic design was a way of achieving two things:
good design and social responsibility. Graphic design being mass
communication, he believed it should be used to increase public
awareness on social issues. By the late 1980's he became known as “bad
boy” of graphic design. In 1986 when the clothing company Esprit, which
had boasted of being liberal and environmentally friendly, was awarded
the AlGA Design Leadership award, Tibor became irate and anonymously
distributed leaflets during the awards ceremony at the AlGA National
Design Conference in San Francisco protesting the company's exploitation
of Asian laborers. Kalman believed that designers should take a greater
responsibility for how their work influenced the surrounding culture.
Below are some example of his work. Enjoy.
In the video "(Nothing But) Flowers" for the Talking Heads, we see a
good example of how Kalman interwove social commentary into his design
work. (And this was in 1988)
"What we really tried to do was integrate the words and images very
thoroughly, because we're very interested in this notion of how you
combine words and images more powerfully than just, Here's the picture
and here's the type"
— Tibor Kalman on the video "(Nothing But) Flowers" for the Talking Heads in HOW magazine, 1993.
The "Siver Askew Watch" is a good example of Kalman's dry sense of humor.
"We
felt that if people would buy watches that didn't even have numbers on
them, and be able to tell what time it was, they could tell time with a
watch that had all the numbers mixed up. It's nicknamed "Stupid" because
the idea comes from grandfather clock in one of James Marshall's
brilliant children's books about the Stupid family."
— Tibor Kalman on M&Co's "Siver Askew Watch" in HOW magazine, 1993
.
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